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An important rite of passage for American children is their first time away from home without their parents. Maybe it’s a weekend with the grandparents. Maybe it’s a three-day trip to a Disney park as a guest of their best friend’s family. My first trip away from home by myself mirrored that of many of my neighbors: summer camp. Everyone went there, boys, girls, everyone; and they seemed to enjoy it. I’d hear my friends talk about swimming and boating and campfires at some exotic Catskills location, and, of course, I wanted to try it.

My opportunity finally came in the form of the Christian Service Brigade. Christian Service Brigade was the fundamentalist Christian’s Boy Scouts. We learned things en route to rewards, kind of like merit badges. Along with tying knots, those things included Bible verses and basic doctrines of the Church. We played games in Grace Church’s fellowship hall during the winter, and we did outdoorsy things in the spring and fall.

Like Boy Scouts with their Cub Scouts, Brigade had its younger version, the Stockade. Stockade was for kids twelve and under. I was part of the “under.” My late year birthday kept me in Stockade even when other kids in my school grade were promoted to Brigade. This kept alive my jealousy of the Brigade guys longer than most of my fellow Stockaders.

We had every right to be jealous of the Brigadiers; they did the fun stuff. Our games were tame, like kickball; theirs were wild, uninhibited, like dog piling, where everyone jumps on top of one kid and a splendid time is had by all.

Indelibly etched into my brain is the winter night I felt the most childish, the farthest separated from the Brigadiers, who included some of my own 93rd Street Gang members. We Stockaders were in the balcony of the fellowship hall, probably having a Bible study. All of a sudden a commotion sent sounds of unparalleled excitement from the floor below. Before we had a chance to crowd the railing to see what had happened, an adult leader rushed in to shepherd us out of the balcony. Blinded by our confinement in a little lobby, we could only imagine the thrill of what was happening beyond the double doors.

Soon the details began filtering out to us. It was more awesome than we’d imagined. Big Nick had broken his arm. This was too much. Can you imagine what kind of fun the Brigadiers must have been having for Big Nick to break an arm? We never had that kind of fun in Stockade. Jealousy ruled the Stockade that night and for weeks afterward.

During my year in Stockade we heard a lot about Brigade Camp. It sounded like a cross between those Catskills camps my friends went to every summer and Marine boot camp. I begged my parents to send me once I found out that Billy Knudsen was going too; and, although he was ahead of me in school, he was close to my age chronologically, and he was still in Stockade like me. I’d be in camp with my hero from the 93rd Street Gang. Oh happy day!

The week of Brigade Camp finally arrived, and Mom and Pop drove me there. It was somewhere Upstate, probably the Protestant side of the Catskills. Billy and his parents arrived about the same time, and together we went to register. That’s when things started to unravel.

By virtue of his being older than I, Billy ended up in a different cabin. My one link to East 93rd Street—home—was broken. I was on my own among seven strangers, one of whom was our counselor, who was indeed stranger than most. He had this perpetually faraway look in his eyes. By midweek, rumors were flying about his use of chemical additives. None proved to be factual, but that hardly mattered to us campers.

Mom and Pop had warned me about homesickness, so I anticipated a certain longing for my own bed and my stuffed animals. (Stockaders weren't expected to need stuffed animals.) What they didn’t warn me about was having to pee in the middle of a cold, dark Upstate night. And that first night I had the urge.

The thought of venturing into the black void between my cabin and the toilet/shower complex terrified me. Least of all were the skunks and bears I might encounter on the way. My greatest fear was that I might meet another boy on the way to relieve himself. I had a kind of performance anxiety about peeing in public. If I had to pee next to another kid, well, I might as well wait until morning. That night I did.

The next night I could not hold it in no matter how hard I tried. I slipped quietly out of my bunk, secured a pair of flip-flops to my feet, and opened the cabin door to a frigid Upstate night.

The distance from my cabin to the shower/toilet house was maybe 50 yards. It seemed like a mile. Every step brought a new sound: the chirp of a cricket, the patter of rodent feet, the whoosh of a breeze through tree branches. My nose hairs stood on end anticipating the dreaded scent of a skunk.

Just short of an eternity later I reached the toilet. Praise the Lord, no other campers were there. Oh my God! No other campers were there! I stood alone at the urinal.

I had to go, but to do so meant making myself totally vulnerable for at least a minute. If a bear stuck his head in the door, I couldn’t run. If another boy entered the building, I would be completely out in the open. Every second burned with agony.

Finally I finished and made my way back to the cabin. My warm sleeping bag felt so good after the cold night air: the cold night air that was already making me need to pee again. Nights at camp were horrible.

Days at camp weren’t much better.

Day One started out with great promise. After a breakfast of cereal and milk—eggs might have been on the menu, but I didn’t eat eggs at the time—the Activities Director helped us sort ourselves into interest groups for our major week-long skill building activity. Since some of the choices included boating (swimming proficiency, which I lacked, required) and air riflery (Mom made me promise not to try it), I opted for horsemanship. I loved horses. As a backup I picked something a short, skinny, non-swimmer could do, or so I thought: archery. I got my second choice.

What could be more equal to my experience than archery? I’d watched Errol Flynn in Robin Hood six times in one week on the Million Dollar Movie on WOR-TV. I loved the television series, Ivanhoe. And every time I heard the story of Custer at the Little Bighorn, I couldn’t help but admire the skill of the Sioux warriors. Yep, it would be archery for me.

I learned a lot that week. At our first session with the archery instructors I learned a new song. Each of the skill building groups had a theme song. Ours, sung to The Caissons Go Rolling Along, was The Archers of Good Ol’ BC. BC referred to Brigade Camp not some prehistoric ancestors. I memorized the song overnight because they told us there’d be a test the next day.

There wasn’t. There was, however, more to learn: bow and arrow safety.

If you had asked me, prior to my joining the Archers of good ol’ BC, what bow and arrow safety was all about, I would have naively responded that one should not point a loaded bow at someone.

At Brigade Camp I learned about the safety equipment we were issued. First, I had to slide some kind of leather band up the arm that held the bow. This was to protect my arm from the arrow passing by and from getting thwacked by the bow. Then I had to put a little leather Band-Aid-like device on my string hand fingers to protect them from something. After a few practice attempts at putting on the safety equipment, I was ready to load and aim my first arrow. But that would come tomorrow.

Wednesday activity time arrived—finally—and we, the Archers of good ol’ BC, were ready to shoot. The targets seemed close enough for our amateur status, although we were sure we could hit them from much farther away. I joined the line that stretched opposite a row of concentric circle bullseyes, donned my safety gear, received the long-awaited bow and quiver of arrows from the counselor, and prepared to fire. That’s when I realized I was not as suited for archery as I’d imagined.

Pulling back the string, with an arrow on the bow, required a lot more strength than my skinny arms were used to mustering. I tried my best, grunting a little, until the string was as far back as I could get it. Then I released the arrow. About halfway to the target it dropped to the ground.

My learning curve that day included the concept of trajectory. Lacking the arm strength to pull the string tighter, I had to find an alternate route to the target. The counselor suggested I aim higher and let gravity do the rest. With renewed confidence I set arrow to bow and tried again. This time the arrow hit the ground only a few feet short of the target. Gravity worked, but a little too well.

Determination drove me to one more attempt before the end of activity time that day. This time I would use my new friend, trajectory, to its fullest potential. I aimed high, and yet I kept one eye on the bullseye. Summoning strength I didn’t know I had, I pulled back the string and then let go. Thwack! The string cracked in my ear, and the arrow was on its way. A second later its silver tip struck, bullseye! Then it bounced harmlessly to the ground. My best, my absolute best shot still did not possess the velocity to pierce the target, but at least I knew I’d hit dead center.

My archery improved slightly during the remaining two days of Brigade Camp, and that part became my favorite time of the day. Meals weren’t too bad either. I liked the way we called the watered down Kool-Aid, “bug juice.” Still, terror lurked in two locations on the camp’s acreage: the playground and the lake.
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You'll read more about the playground and the lake in the next episode of Tales of a Canarsie Boy.
To hear this episode, please click the YouTube link below.
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I wasn’t raised color blind. I knew there were people with different skin tones. Okay, I was pasty white. Everybody had a different skin tone than I. But I knew that black people lived in the Projects down by Jamaica Bay. White folks lived there too, I was recently surprised to learn, including the man who one day would be CEO of Starbucks. I did know one black family who lived in a predominantly Jewish part of Canarsie. For a year in junior high their son and I palled around, hanging out in one another’s homes. I think his parents had moved there from Jamaica or someplace.

The 93rd Street Gang were as racist as anyone else in the 60s, and the names we called each other—names we’d never use today—reflected that. If you were black… well, we’d have used a word beginning with N. If you were Puerto Rican you were a spic. Toody Marciano and Jerry Lombardi were wops. One day, gang members Billy Walker (mom from Puerto Rico), Susan Sullivan (Irish), and Toody were walking side by side ahead of the rest of us. Soon those in the rear, me included, started chanting, “Spicmickwop” over and over. Kids are cruel, but we loved each other.

We didn’t really know many black kids. The Alcantaras were dark-skinned, but they were Puerto Rican, like Billy Walker. If a black family had moved into the new houses put up in the vacant lot next door to my house, instead of the Romanos (wops), and had kids our age, they’d have probably gotten into the gang just like Mary Romano did.

The biggest difference I saw between blacks and whites in Canarsie was economic. Blacks lived in the Projects. The apartments were smaller than the half-houses my friends lived in. It wasn’t the ghetto Elvis sang about, the Projects, but it wasn’t like my neighborhood either.

In the winter of 1961 I learned there were worse places to be black than Canarsie.

John graduated from Brooklyn Tech in 1960. After three days as a chemical engineering major at City College of New York, he left academia for good and joined the U.S. Marines, heading to Parris Island, South Carolina for boot camp.

Boot camp was everything one might expect. Not long ago, when prepping for a role in the play, A Few Good Men, I asked John what boot camp was like in the Marines. He said, “Did you ever see the movie Full Metal Jacket? That’s what it was like.”

Mom, Pop, their friends Madelyn and Mervin, and I went to South Carolina for John’s graduation. Road trips always meant a crowd for my family. I guess if a car wasn’t full it wasn’t worth wasting the gas. After Parris Island we headed for Daytona Beach, Florida.

Before long we were in the Deep South. In 1961. Somewhere on US 501 I had to go to the bathroom, probably when Pop stopped for gas, maybe sooner. We pulled into a gas station, and I jumped out of the 1960 Ford Fairlane. I ran to pee and stopped cold.

Before me stood the doors to two men’s rooms: one was pristine, white, shiny; the other had peeling paint over rotting gray wood. Mine, at least I hoped it was mine, said MEN. The other said COLORED. Weird, I thought.

After ridding myself of the last bit of fluid, I needed to replenish. I looked for a water fountain and found two. Again, the clean porcelain of one—unmarked—contrasted with the brown and green stained bowl of the other, marked COLORED. Enjoying my privilege, I drank from the nice one.
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That night, in a motel with a Magic Fingers vibrating bed (25 cents), I asked Pop about the water fountains. I’d like to say he told me how wrong they, and the bathrooms, were; but I just can’t remember. I know they bothered him. I also suspect they didn’t surprise him. I’m sure he knew life was like that only 600 miles from Canarsie. Was it like that in Canarsie? I don’t remember, which may mean it was.

But maybe there was hope, at least in little bits.

All the kids at Grace Church called Pop “Uncle Artie.” It wasn’t that special. “Uncle” and “Aunt” were terms of respect used by children of all their elders at Grace.

I remember one Saturday when Mom and Pop and I were shopping at the Bohack supermarket on Avenue K, about where what used to be Canarsie High School sits now. We neared the checkout when a little black kid came running full tilt down the produce aisle. It was Curtis, whose family occasionally attended Grace Church.

“Uncle Artie! Uncle Artie,” Curtis joyously shouted for all to hear as he jumped full body into my father’s arms. White folks’ eyes fastened on Pop from all over the store. Pop didn’t put Curtis on the sawdust-lined floor until he’d given him the biggest hug ever.

I wish it were all so simple.
Did you go to summer camp when you were a kid? I’ll share my camp experience in next week’s episode of Tales of a Canarsie Boy.
To hear this episode, please click the YouTube link below.
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In the early 1960s, men were men and, as the saying goes, “women were glad of it.” John Wayne was hitting his stride, and Rock Hudson was a ruggedly closeted heartthrob. Although men ruled their homes, as in the Cleaver household in Leave it to Beaver and the Stone household in the Donna Reed Show, the “man as tough guy” image was often overshadowed by the “man as vulnerable hero” (Jimmy Stewart), as a debonair ladies’ man (David Niven), and as a suave secret agent (Sean Connery as James Bond). Villains, usually played by Lee Marvin or Edward G. Robinson, were exaggerated masculine images, but they were bad guys and often looked like nothing more than childish bullies on the screen. Fuzzy was tougher by a mile.

I was jealous of the tough guys, but I don’t think I ever really wanted to be one. Not that I liked being the skinny weakling, but I learned early on that strength isn’t always measured by the size of one’s biceps. In other words, I knew what a “real man” was. Of course, the lesson reached me through the medium of television.

The first male role model I recall was Chuck Connors’ character in The Rifleman: Lucas McCain. It’s funny, as I write this I am sitting at my favorite bar intermittently reading Alison Bechdel’s graphic memoir, Fun Home. On a page where the child Alison is oblivious to her father’s attraction for young men, there appears on a TV screen some scenes from The Rifleman. Somehow a book about coming to grips with one’s sexuality—and one’s father’s—fits in a chapter about real men.

Lucas McCain was a real man, and not because he carried his eponymous weapon. The lessons I gleaned from McCain, the ones he taught his son (played by Johnny Crawford, a kid whose looks I was jealous of), were about helping those less fortunate, obtaining justice for those denied, and choosing delayed (over instant) gratification. Lucas McCain had the coolest gun, but he tried not to use it. To use your primary weapon outside of absolute necessity is to abuse it. I don’t think McCain ever said that, but he could have.

Guns were an integral part of play for the boys in my neighborhood. We’d choose sides—good guys versus bad guys—and divvy up the arsenal of toy revolvers, automatics, and rifles. Sometimes as many as eight or ten guys would join the battle. But when I was by myself I played with plastic soldiers.

I’d create living room-sized battlefields with green G.I.s in deadly combat with gray Germans. Death occurred frequently; so frequently, in fact, that I had to buy more soldiers from time to time—replacements. Sometimes I allowed one of my favorites to die. I figured it happened, right? My knowledge of war was limited to stories from a few WWII survivors, like my Uncle Freddy. At that time Vietnam was barely a mention on the nightly news. Still, I knew some people died in wars, and my little soldiers did too.

My absolute favorite never died, though, and he never carried a gun. Well, he came with a molded plastic gun in his hand, but I bit it off. In my imagination he carried a little black notebook and a couple of pencils. Here’s why.

On my tenth birthday, ABC television premiered a new WWII series starring Vic Morrow and Rick Jason, the two best names for war show stars ever. The show, Combat!, ran for five years. It was a gritty black & white classic set in France in 1944.
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Three nights later, while kids and parents were still talking about Combat!, ABC also rolled out a quieter, more introspective war series: The Gallant Men. It featured a squad of G.I.s fighting their way through Italy in 1943.

The Gallant Men was an unusual war show in that one of the main characters was a war correspondent. I don’t remember whether the man was a pacifist or not. At that time I had no clue what that word meant. But I never saw him carry a gun, only a pencil and a pad or a typewriter. What courage, I thought. What determination. To get the story out to the world. To put the truth above your own safety. That’s what I wanted to do. Most kids’ first “when I grow up” job was firefighter or veterinarian or baseball player. Mine was war correspondent. I found a copy of Ernie Pyle’s Brave Men in, of all places, my brother’s library. I wanted to bring stories back from a war I didn’t even know existed at the time. I took it so far that when playing The Game of Life I’d desperately want to land on the spot that made one a journalist. That dream ended after a two-year stint as gossip columnist, under a pen name, for my college newspaper.

The Gallant Men lasted only one year. Nobody watched it. When I’d tell the gang about the latest episode they’d get on me about watching a sissified version of a war show. Judgment reached a new low when I, as much a war lover as anyone, was chastised for choosing the wrong WWII TV series. I guess real men were watching Combat!.

Hollywood’s role models changed over the years, but my one constant image of a real man was my dad.

Pop was never that tall, barely topping out at 5’10”, although he shrank considerably in the waning years of his life. He was more wiry than muscular, though he managed to play a little semi-pro football in his young adulthood. We never had a gun in our house, but Pop was reputed to be a crack shot with a .22 when hunting rats on Pumpkin Patch, a sandbar off the coast of Canarsie Pier. In other words, he did traditionally manly things, but he did them in his own non-traditional ways.

Pop was a bundle of contradictions. He was a fiscal conservative, a political moderate, and a staunch union man, all the while voting straight ticket Republican his whole life. Actually, that wasn’t too much of a stretch. Pop lived in an era whose Republican stars—Eisenhower, Nixon, Rockefeller, even Barry Goldwater—would be vilified as flaming liberals by today’s GOP standards.

Pop was no liberal, but he was no party’s fool either. The same could be said of his religion. In the jargon of his day, Pop was a fundamentalist. That meant he adhered to certain doctrines such as biblical inerrancy, the virgin birth of Jesus Christ, Jesus’ death on behalf of humanity, and Jesus’ physical resurrection and eventual return. Other than avoiding habits like drinking and smoking, Pop’s fundamentalism didn’t meddle much in people’s lives.

Still, the fundamentalism of Pop’s day did give rise to contemporary evangelicalism, even though evangelicals in the 1950s were considered by fundamentalists to be only slightly right of the worst of the liberals. Again, Pop’s personal expression of faith did not toe the party line.

One “Pop story” stands out in my memory as an example of that faith. It happened on a Sunday afternoon when Pop said, after a service at Grace Church, “Don’t put your play clothes on after dinner. We’re going out again.” (No matter that I was probably fifteen by then, whatever I changed into after church was always “play clothes.”)

Whenever Pop spoke like that, I knew an adventure was in store. Pop’s adventures could be pretty unusual. Like the time on a family vacation somewhere in New England when we visited a waterfall. Pop noticed a series of rocks jutting out to the middle of the river just above the falls.

“Phil, do you think you can climb out there?”

“Sure thing, Pop!”

With a twelve-year-old’s bravado, I risked life and limb maneuvering myself to a precarious perch above the raging waters. I even hung on with my feet alone, raising my hands triumphantly as Pop got out his camera...which he turned to the shore as he yelled, “Hey Fran! Look what your son is doing!” He wanted to capture Mom’s terrified reaction.
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This day’s adventure, beginning right after Sunday dinner, surprised me more than most. We dashed to the Oldsmobile Vista Cruiser and headed toward the Belt Parkway. Pretty soon we were in a section of Queens I’d only seen before in passing. We never stopped there. At least I’d never stopped there.

Exiting the parkway and winding through city streets until we ended up back near the Belt, we pulled up to a white clapboard-sided church. Pop parked the Olds, and we walked toward the front door.

“What church is this?” I asked.

“I know some people who go here,” Pop answered. “They asked me to serve on an ordination council. Today that young man is going to be ordained as a minister.”

I didn’t recognize the name on the announcement board in front of the building. It wasn’t a Baptist Church, like the ones on the Island we played volleyball against. It wasn’t another Independent Fundamental Church like Grace. It was a Church of Christ or something.

The name wasn’t the only thing that was different. Once inside the door, staring at row after row of maple-stained pews, I noticed that Pop and I were the only two white faces in the building.

“You know these people?”

“Well, some of them. We go way back. I sing here sometimes. They wanted an impartial layperson to serve on the council, so they asked me. That’s why I was away some evenings last month.”

Stunned, I sat beside Pop through the solemn service that was punctuated by outbursts of “Amen” and “Well” and “Yes, yes” along with loud, joyful, definitely not Grace Church-style, singing.

“Who is Pop?” I wondered as we drove quietly back to Canarsie. There was no easy answer. But over the years I grew to respect and admire the quiet strength, courage, and contradictions that were the real man I knew as Pop.
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The visit to that church in Queens wasn’t my first lesson in black and white, as you’ll see in next week’s episode of Tales of a Canarsie Boy.
To hear this episode, please click the YouTube link below.
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I don’t know what you think of when you hear the word “gang” in a New York City context. There are a few possibilities. You could be thinking of the Leonardo DiCaprio and Daniel Day-Lewis movie, Gangs of New York. That movie contained elements of truth about New York in the decades leading up to the American Civil War, but it didn’t have much to do with my experience. Around the time the Five Points gangs were duking it out in lower Manhattan, my great-great grandparents were helping establish Grace Church in Brooklyn.

You could be thinking of Leo Gorcey, Huntz Hall, and their cronies, who populated the “Dead End Kids” and “Bowery Boys” movies. They epitomized the ideal of street-wise youth with hearts of gold hidden just beneath their rough exterior. Street-wise we were, I suppose. After all, most of us survived well into adulthood. But our hearts clung mostly to our sleeves rather than below a tough-guy image.

That leaves the Sharks and the Jets of West Side Story. Those gangs carried switchblades, tire chains, and zip guns. People died in that play. People also sang and danced—a lot. Except for the tire chains and zip guns, that was our incarnation of the 93rd Street Gang. Toody Marciano showed us a switchblade once, but I think he was scared to carry it; something to do with it springing to life in his front pocket. We all understood—no switchblades. So, without weapons of street war, the 93rd Street Gang followed the lead of the Sharks and the Jets: we broke into song at the drop of a hat.

Music dominated our lives. Why wouldn’t it? From Fats Domino and Buddy Holly to the Everly Brothers, Dion, and Little Richard to the Beach Boys, the Beatles, and the Stones; we lived in what is arguably the best musical epoch in history. And then there was Broadway.

As far as I know, no member of the 93rd Gang saw a real live Broadway show during our collective childhood, but that didn’t matter. Show tunes topped the music charts in the 1950s. I didn't know it at the time, but the songs Pop sang around the house—when not practicing gospel tunes—songs like Surrey with the Fringe on Top and Some Enchanted Evening were straight from Broadway.

I remember falling in love with show tunes when Isaac Bildersee Junior High’s orchestra first played excerpts from Fiddler on the Roof. I was in ecstasy and not just because I had a crush on a flute player. Until then I didn’t know music could bring out the emotions of a story better than words alone. I was hooked.

The rest of the gang, being one or two years older than I, had known about this magic for a while. I remember the fierce competition between Billy Knudsen and Eddie Gentile over who could do the best Anthony Newley impression. I never joined in, being too timid for solos even in the gang, but I loved it. Today I often listen to the On Broadway channel on Sirius XM radio. No longer inhibited, with gusto I join Newley in belting What Kind of Fool Am I?. Billy went on to a long career in some giant corporation. Eddie made it into show business as a performer, choreographer, and teacher. And what kind of fool am I? I make occasional appearances in community theater musicals, sing in a folk duo, and write songs about dragons, Tiffany boxes, and a house in Canarsie that’s no longer there.

My house was an anomaly in a Brooklyn neighborhood in the 1960s. My junior high friends called it a museum. I used to give tours of the attic and cellar. Yes, we had a cellar. It in no way resembled the basements most houses sit on.
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You reached the cellar by descending a rickety wooden stairway. No one ever took the time to install a light switch at the top of the stairs, so you used a flashlight to get to one of the pull chains on the bulbs that illuminated most of the cellar. Boxes and barrels lined the walls, and in the center of it all was an oil furnace. It smelled like, well, I guess the smell was oil. One time it smelled worse. Apparently the burner malfunctioned and the old contraption began emitting carbon monoxide. Mom was the first to smell it when she returned from driving one of the church ladies to a hairdresser appointment. Like most women of her era, before turning to a professional to deal with the potentially deadly problem, she called her husband. Eventually, even before I got home from school, a repair man came and fixed the furnace. Pop, as usual, was the hero.
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Near the furnace stood my favorite piece of cellar furniture, the wringer washer. For Mom, wash days were weekly events, each one consuming eight hours of loading, unloading, and wringing. This repetition led to hanging the wet clothes on a washline that stretched from the back corner of the house to a pulley high on a wooden utility-like pole in the backyard. Shirts, socks, and underwear flapped in the breeze some twenty feet above the ground, for all to see.

I loved washdays in the summer when school was out. Perhaps my fondest memory of all was lying just inside the backdoor while Mom hung laundry on a sunny afternoon. I lay there with my head on a red pillow that was shaped like a horse. I think it actually was a horse when I was a preschooler. It was shaped for riding if the rider was a toddler. For a schoolkid it worked as a pillow. As the sun beat down on my skinny frame, I felt so warm, bathed in its radiance and Mom’s love. I suspect heaven has a backdoor; not for letting people in or out, but just for lying around on a stuffed horse and basking in light.

The attic at 1304 was reached by ascending a steep stairway. Treasures awaited. Pirate chests filled with old clothes stood side-by side. Ancient lithographs of forgotten Baisleys lined up, each covered with a piece of white sheet or pillowcase. A dozen oil lamps filled the base of an old end table. Flatirons like soldiers at attention defended the area under the front window. A vacuum cleaner from the 1930s watched over a commode chair (yes, a chair with a toilet in it, the pot discreetly veiled by a flowered curtain). My friends loved that part of the tour best.
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1304 East 93rd Street was an amazing place to visit and to play. When my parents sold it to a developer to be replaced by four three-family dwellings, and the giant ballfield/garden yard was bulldozed, the neighbors felt betrayed. I really couldn't go home again.

A few years ago, I read a short story titled The Piano Tuner’s Wives by William Trevor. The author described a house so vividly that it took me back again to 1304. Immediately, I wrote the following song about my no-longer-there home.
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I had to change some numbers around for rhyme and rhythm purposes, but you’ll figure it out. If you listen carefully toward the end of the third verse, you just might hear the 93rd Street gang. 
PART OF MY HEART
Words and music by Philip C. Baisley © 2012 Baisltunes (ASCAP)
(inspired by William Trevor’s short story The Piano Tuner’s Wıves)
 
There were doilies on the tables on both sides of the sofa
And a stain deep in the paper near the clock upon the wall
If you listened you could hear the mice gnawing on the plaster
Somewhere in the space between my bedroom and the hall
 
Every Christmas Eve there was a tree, it reached as high as heaven
And oatmeal raisin cookies for when Santa came to call
Each wear spot on the carpet, every finger-painted doorknob
Just the way we left them, in my mind I see them all
 
But thirteen-ten North Ninth Street can’t be Googled, can’t be plotted
By any satellite or GPS found anywhere
It’s just a few apartments, thirteen-two –eight –twelve and twenty
But somewhere in the middle part of my heart’s still beating there
 
They said, “You can’t go home again,” I guess they really meant it
When someone takes a bulldozer and buries memories
But I still hear the Ninth Street Gang singin’ Sherry Baby
And I still smell the sweet perfume of the evergreens
 
But thirteen-ten North Ninth Street can’t be Googled, can’t be plotted
By any satellite or GPS found anywhere
It’s just a few apartments, thirteen-two –eight –twelve and twenty
But somewhere in the middle part of my heart’s still beating there
 
No ghost can haunt a place when there’s no place a ghost can haunt
No self-respecting spectre would appear
There’s not a speck of dust to mark the place I spent my childhood
There’s just a part of my heart I left there
 
And thirteen-ten North Ninth Street can’t be Googled, can’t be plotted
By any satellite or GPS found anywhere
It’s just a few apartments, thirteen-two –eight –twelve and twenty
But somewhere in the middle part of my heart’s still beating there
What does the term “real man” mean to you? You’ll meet my role model of a real man in the next episode of Tales of a Canarsie Boy.
To hear this episode, please click the YouTube link below.
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Every day at P.S.114 carried with it a fair amount of dread for this undersized, underweight, fourth-grader, but a certain day in the late winter of 1962 raised my terror to previously unimagined heights. It started with an innocuous bulletin board posting a week or so earlier.
WIFFLEBALL LEAGUE
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I knew I was not cut out for baseball. My hand-eye coordination was unfit for the complexity of hitting a fastball. The delicate, stubby fingers I inherited from my mother didn’t help me at all in the field. They didn’t reach halfway into a glove’s fingers. Softball wasn’t a better option. By whose definition was “soft” applicable to those balls? Still I had aspirations of being like the other guys, so I wanted to be a ballplayer of some sort. Wiffle would do, right?

I signed the sheet, took home the requisite permission slip for Mom to sign—relieving the Board of Education of responsibly in the event of my death—and waited for the league meeting to take place. The wait provided its own kind of anguish.

The league meeting was the place where the teacher in charge of after school activities would create teams to compete for the Wiffleball Trophy. I was no stranger to team creation, a special kind of heartache for kids like me.

Most of the time, teams on the street and in the schoolyard were chosen by the big, strong natural leaders among the kids. Schoolyard team captains picked me last every time except when they didn’t pick me at all. When that happened, the teacher would assign me to an unlucky team. I hoped the wiffleball league would see me assigned to a team, resulting in their disappointment, rather than having team captains make the choices, resulting in my disappointment.

I was lucky—for a moment—that afternoon. The teacher came to the meeting with team rosters already decided. Atop each team’s roster was the name of an older student who would be their captain. My name, beginning with a B, sat directly beneath that of my new captain, Fuzzy Porcaro. I wanted to run home to Mom’s lap. I almost puked. I wondered if a nine-year-old facing certain death should have a will. Please, God, not Fuzzy.

Every school has its bullies. There’s a pecking order. You have the kids who are quick to take advantage of any shortcomings they observe in other kids. If you are too short or too tall, too slim or a bit overweight, wear braces or last year’s clothes, or have the slightest inkling of sensitivity toward criticism, you are fair game for these bullies. They, in turn, are the prey of bigger bullies.

Bigger bullies are the ones who not only harass us little kids, usually extorting from us milk money or homework production, but they include regular bullies in their threats. But even these bullies have their ultimate bully. At P.S. 114 it was Fuzzy.

Fuzzy was perpetually in sixth grade. Rumor had it he was in his twenties. I suspect he was maybe 13, having been held back a grade or two. He certainly was big enough to have been a teenager.

Fuzzy never smiled. His coal black eyes could penetrate steel, and he was rumored to have put dozens of kids in the hospital. Of course, no one knew who those kids were. We did know, however, that life was a lot easier when Fuzzy wasn’t around. For the duration of wiffleball season, or until he chose to terminate me, I would be Fuzzy’s teammate.

Wiffleball league games were played in the school basement, where I would always be reminded of one of my most embarrassing moments. That basement consisted of two cavernous rooms separated by a long hallway. At one end of the hallway sat the music room, and at the other end the cafeteria and lunchroom.

Public schools in the early sixties served lunches prepared on site mostly from scratch. The food may not have tasted much better than it does now, but I think it was healthier. We even had homemade soup, and that was my downfall.

During the winter of second grade, Mom made me wear a tweed coat with matching cap. My God, it felt ugly even then, but I never questioned wearing it, even in the chilly basement lunchroom of P.S.114. One day, as I was ladling vegetable soup from the big pot at the beginning of the line, the unthinkable happened; my tweed cap leapt from my head and into the soup.

I took in the scene as if it were an out-of-body experience. I saw a small boy staring into a steaming pot; in the pot swam diced carrots, sliced green beans, and a speckled cap whose shades of brown and gray had already begun to turn red from the broth. The hat bobbed. The boy’s eyes began to blur. The hat he hated became the object of his fiercest love. How he longed for it to be back on his head. And then he cried. He wailed. This brought the lunch lady to investigate.

With her bare hand, the lunch lady reached into the cauldron, risking certain second-degree burns, and retrieved the cap, bits of potato still clinging to its brim. She handed it to the boy.

That is when it hit me that this was real. I held the dripping cap while the entire lunchroom laughed at me. Then, sobbing violently, I ran to the boys’ room, soaked the cap with water, dried it as best I could with industrial brown paper towels, and placed it on my head. Returning to the lunchroom, still with tears glistening my eyes, I asked the lunch lady to help me get some soup.

For some reason, after the laughter died down, nobody made a special effort to make fun of me. I guess no words could top the image in everyone’s brain, especially mine.

In that same basement, the masking tape outline of home plate was near the kitchen. The bases intermingled with the pillars that supported the superstructure of P.S.114. The far wall of the dining area formed the outfield fence, except for the hallway leading to the music room. That hallway was the only place a guaranteed home run was possible; once a well-struck wiffleball reached that point, nothing remained to stop its progress.

Now that I’d been assigned to Fuzzy’s team, the pressure to perform, under penalty of death, overwhelmed me and took away any chance I might have had at being a successful ballplayer. I showed up for the first game paler than usual, a little sick to my stomach, and prepared for the worst.

On the bright side, my team was amazing. Fuzzy was a thoroughly capable leader. He drew up each game’s lineup according to our batting ability. I secured the bottom of the lineup card, and never once did I disappoint; no hits were expected and none were achieved. I think I walked once and scored a run, becoming a solid asterisk in the record books.

Fuzzy also positioned us defensively according to our ability, himself being the pitcher and everyone holding down the position that best suited their catching and throwing skills. Each game found me in the one spot where I could do the least amount of harm: guarding the hallway in deep left field. Generally, if a ball got that far, the fielder’s only responsibilities included stopping it from rolling down the hall and throwing it to someone else who might throw it home for a miraculous play at the plate.

Thanks to Fuzzy’s all-around athleticism, our team only lost one game, tying us for first place and forcing a playoff for the league championship. Thanks to Fuzzy’s managerial skills, I never had the opportunity to contribute to or detract from the team. Thanks to good fortune, only one ball ever got near me. I stopped it with my foot, nervously picked it up, and threw it about 20 feet to the real left fielder.

The playoff started well, with my team—that is, Fuzzy’s team—taking a big early lead. The other team whittled away at that lead until we were barely hanging on by two runs going into the bottom of the last inning. Fuzzy got a couple of outs, but our opponents got a couple of hits. Then the unthinkable happened.

The next batter slammed the first pitch to deep left field. No one in the league had ever hit a ball that far on the fly, let alone a line drive. Fuzzy spun around to watch the carnage and, probably, to plot his revenge. I barely saw the white sphere coming. I stuck up my right hand, the one on which I’d have a glove if we were playing real baseball, not wiffleball.

Holes. Wiffle balls have holes. Lots of them. Holes make wiffle balls dance in the air, the basic challenge of the game.

My middle finger moved toward its destiny as the line drive raced at it. I could hear the expletives gushing from Fuzzy’s lips. I couldn’t see the broad smiles on the faces of the other team. I couldn’t even see the ball as it hit that stubby finger—and stuck fast, finger firmly embedded in a hole.

Game over. Fuzzy’s team wins by two. League champions, 1962.
 
Fuzzy, the meanest, toughest kid in P.S.114, ran toward me, his eyes glistening. He scooped up my diminutive body and he—not the team, he--carried me to the school kitchen for the award ceremony. That would have been great enough, but then he did more. As we walked out of P.S.114 into the late afternoon sun, he said, 

“Do you need a ride home?”
 
“I can walk.”
 
“The hell you will,” Fuzzy answered.
 
He set me on the handlebars of his big black Schwinn and rode me home like I was the hero in my own parade. From then on, Fuzzy and I were... no, not friends, but acquaintances; no longer predator and prey.

My Fuzzy parade changed my life. No one messed with me anymore, just in case Fuzzy was watching. Later that year Fuzzy finally passed sixth grade and presumably went on to junior high. I never saw him again. The next year, with a confidence I’d never known before, I volunteered as a school patrol guard, assigned to protect littler kids from bullies. In sixth grade I was promoted to main entrance guard. Before locked doors with buzzers, before metal detectors and resource officers, P.S.114 had me and Robert Singleton, a fellow sixth grader, keeping uninvited guests out of the hallowed halls. Thank you, Fuzzy.
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P.S.114’s main entrance in 2019
When you think of a New York City street gang what comes to mind? West Side Story’s Sharks and Jets? The Bowery Boys? The Dead End Kids? You’ll hear more about the 93rd Street Gang in next week’s episode of Tales of a Canarsie Boy.
To hear this episode, please click the YouTube link below.
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In an era where “tall, dark, and handsome” dominated the TV and movie screens, and the classrooms of P.S.114 as far as I could tell, I had that losing trifecta of short, pale, and skinny, which equaled ugly. I truly believed that. Sometimes I still do.
Short was easy to measure. Whenever my class lined up I was third, alphabetically and by height. Jon Abrams was first. He was shorter than I, but he had dark, wavy hair and a voice as big as Ethel Merman’s. I think we were in a third grade assembly program when Jon first sang He’s Got the Whole World in His Hands. Teachers swooned. I decided never to sing again; I’d heard the best.
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Short was easy to measure. Whenever my class lined up I was third, alphabetically and by height. Jon Abrams was first. He was shorter than I, but he had dark, wavy hair and a voice as big as Ethel Merman’s. I think we were in a third grade assembly program when Jon first sang He’s Got the Whole World in His Hands. Teachers swooned. I decided never to sing again; I’d heard the best.

Ira Apsel was taller than Jon and shorter than I. He was smart, quick witted, and cute. His winning personality often placed him in the center of a conversation. And, while not a standout athlete, you could be certain he’d never embarrass himself on the playground.

I was third. I had no discernible talent like Jon. I was painfully shy and never had friends like Ira had. My lack of positive characteristics accentuated my short stature.

Then came my skin tone. Had I been a Victorian woman, alabaster might have been used to describe my complexion. Maybe even porcelain. In a brilliant flash of cruel insight, some of my 93rd Street Gang friends created the rhyme,
                        Star light star bright,
                        Send me a Bassowitz milky white.

In that one verse the gang managed to critique both my complexion and my choice of friends outside the gang. You see, the gang featured an uneasy truce between Catholics and Protestants; English, Irish, Germans, and Italians. They even welcomed Puerto Ricans from time to time. But Jews were forbidden. Even befriending the people who comprised almost half our neighborhood would get you in trouble, and a sarcastic nickname.

The gang began calling me Bassowitz after word got out that I was spending time after school with Mark, from the part of Canarsie west of Remsen Avenue, and with Scott, from just up the street. Both kids had descended from Eastern European Jews and had been touched by the Holocaust. They were my friends neither because of nor in spite of their being Jewish. We simply liked doing the same things, and we laughed at each other’s jokes. Even today, if you do those things I will be your friend 'til death do us part.

Grace Church taught us that God had called the Jews to be his Chosen People. They were special. To a church steeped in dispensational theology, reading regularly the Scofield Reference Bible, and believing that one day Christ would rule and reign in Jerusalem, we should have been thrilled to be friends of Jews. As a religious group, we weren’t. I don’t know why. I only know it hurt when my very first friends could not accept my new friends.

Judgment goes many ways, I soon learned. At the same time as I was being judged by the gang for befriending Jews, I was joining with the gang in condemning Jews to hell. To be fair, I didn’t single Jews out. I believed everyone was going to hell except for people who prayed the “sinner’s prayer” and asked Jesus into their heart. Jews just happened to be born with the disadvantage of claiming him as one of their own but not having him claim them as his own. It seemed to make sense back then.

Mom and Pop were the exceptions. Mark, Scott, Jon, all were welcome at their house. Sure, they wanted Jews to accept Jesus as their Messiah, but they never pushed, never threatened hellfire and damnation. Their method of evangelism was love and hospitality, and leave it for God to judge.

I’m not sure the Protestants and Catholics who comprised the 93rd Street Gang really hated the Jews all that much; they were just less tolerant of them. The gang reserved their greatest hatred for each other. This was before Vatican II offered the possibility of mutual salvation through the church, whether or not you followed the authority of the Pope.

In the pre-Vatican II gang, we members of Grace Church knew beyond all doubt that the kids from Holy Family Church were hell-bent idolaters who confessed their sins to a priest instead of directly to God. The Irish and Italian members of Holy Family knew beyond all doubt that the kids from Grace were “outside the Church,” and that was enough to warrant eternal damnation without even the option of Purgatory. “Prots” and “Cats” we jeered at each other. But we didn’t jeer much. Insults were only hurled when we had nothing else to do, and that was rare. Usually, we were too busy playing punchball in the street, stoopball on Kurt, Judy, or Susan’s stoop, or ring-o-leevio after dark. Only on those days when someone would ask, “What’d’ya wanna do?” and heard the response, “I dunno. What’d’you wanna do?” would arguments ensue. Then all stops were pulled, and our customary religious tolerance gave way to holy war. 'Damn Cats!' 'Damn Prots!' Insults often accelerated until one side or the other unleashed a phrase beginning with “Your mother...” Eventually we dropped the descriptions or definitions of each other’s parentage and gave the verbal shorthand, “Yuh muthuh!” That ended it, and we tolerated our differences again. Except for Jews. The gang never tolerated Jews. I did, and paid for it until I realized, perhaps irrationally, that if the Jews were God’s Chosen People, and I was being called a Jew, then that put me in pretty good company. From then on I wore the nickname Bassowitz proudly. Except sometimes late at night when I didn’t.

Short and pale I couldn’t change. My third defining characteristic, skinniness, I tried and tried to overcome, but it didn’t work. I looked and felt like the 98-pound weakling the cool guys kicked sand at in ads for somebody’s bodybuilding program, but I’d have had to gain some weight to reach 98 pounds. With twig-like arms and spindly legs, short delicate fingers, and a perpetual crew cut, I prepared myself for failure every day. Seldom was the effort fruitless, especially when bullies showed their menacing faces.
Bullies. The mere word strikes terror in our hearts. You’ll hear the story of the biggest, baddest bully P.S.114 ever knew in next week’s episode of Tales of a Canaries Boy.
To hear this episode, please click the YouTube link below.
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Some people are named by their parents after some great person or family hero. I was named by my brother after no one in particular.

John wanted me to be named Philip Charles. I don’t know why. And I don’t understand why Mom and Pop would allow a ten-year-old to name their baby. What were they thinking? It was 1952. My brother listened to the radio—a lot. He could have chosen Amos or Andy or Lamont or Hopalong, which would have been cool. No, he lobbied for Philip. Was it because a Philip was married to Queen Elizabeth of England? Maybe. Perhaps he thought his new baby brother was a princely fellow. That would explain my middle name being Charles, another princely name. I hated both names. I liked Rick, as in Nelson, but, being a newborn, I was overruled.

John Thomas and Philip Charles, the Baisley brothers, never really knew each other until the early 1990s when I lived in Springfield, Ohio, and John often had to fly from New York to Columbus for training on his employer’s new automated systems. By then he was in his late forties and I in my late thirties. It was time for a friendship.

Prior to 1990, it wasn’t that we disliked each other; we just had nothing in common. For a while we shared a bed, but John topped six feet and 180 pounds in eighth grade. If he’d have rolled onto me I’d have been a goner.

Mom said that one night I rolled onto John. She said I looked so sweet camped up there on his hip. The way John tells it, it was all he could do to keep from throwing me across the room. He restrained himself because he feared he might break something. A lamp or a knickknack, perhaps; I was expendable.
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Like I said, John and I didn’t really know each other. I had barely turned eight when John gave up a college scholarship and enlisted in the U.S. Marine Corps. By the time he got out four years later, he was ready for the workforce, dating, and marriage. I was ready for seventh grade.

We had a wonderful little window of knowing when John first got out of the Corps. He lived at home, and we were forced to share the same bedroom in which the aforementioned sleeping incident occurred. This time, Mom and Pop were prepared, having purchased extra-long twin beds. At 6’2” John filled his. At 5’2” I had plenty of room.

John only lived in that room with me for three years, and between work and dating, we didn’t spend much time together. But we made some memories.

When John got home in 1964, a new TV show premiered that captivated viewers with its quirky humor: The Addams Family. Because of his impressive height and slim muscular build, I began calling my brother Lurch. Acknowledging one of my primary my physical characteristics as a junior high boy, he called me Stench. He also called me Bumble, an affectionate term for bum. It was true brotherly love, the kind the ancient Greeks extolled.

I loved my brother as he did me, each in our own pre- and post-adolescent way. Thanks to television—again—I found a way to demonstrate my affection.

In September 1966, CBS premiered Mission Impossible and I entered ninth grade at Isaac Bildersee Junior High School 68. Mission Impossible had the best opening sequence ever. Mr. Briggs, later Mr. Phelps, would receive the IMF team’s instructions via a reel-to-reel tape that would “self-destruct in five seconds.” It was classic.

At that time, John would sometimes work second shift at the Phone Company. (Back then there was only one “phone company.”) He’d come home about 1:00 a.m. and try not to wake me. It was probably sometime in February when I decided to surprise him.

Today, my son—heck, my grandson—could program into their phone better special effects than I used that night. But this was 1967, and I was a nerd but not a geek, and electronically challenged. I controlled my elaborate plot with extension cords and a four-switch box taken from Pop’s Christmastime Lionel Train layout.

Pop’s train layout took up half my room growing up. During December I’d have to crawl across John’s bed to get to mine. There was so little walking space.
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We had a freight train and a passenger train with lighted Pullman cars. They ran in parallel and sometimes intersecting ovals through and around Plasticville, USA. Pop built roads through the town for miniature cars to drive on.

Pop’s sense of humor was odd to say the least, spawning my own, or so folks say. Plasticville had an intersection with a yellow caution sign before it that read, “Stop ahead.” One year Pop found a plastic doll’s head in a trash can on his way home from work. Forever after that head spend the Advent season in the middle of the Plasticville intersection reminding drivers to Stop! A head!

That February, I dug the switch box out of the train layout boxes and used it to power my plan. First I employed my reel-to-reel to record the opening of the latest episode of Mission Impossible. Then I dismantled a lamp so that only the wiring, socket, and bulb remained. 

On the night I chose, while John was at work, I hid the tape recorder and the light bulb in his closet, leaving the sliding door open just enough for him to be able to hear the instructions and see the flash as the tape self-destructed. Using extension cords, I ran the wires from the closet, under both our beds to the far side of mine where it couldn’t be seen. I plugged the cords into the switch box and tucked it under my covers. Then I waited. Shortly before 1:00 a.m. John entered the room. “Good evening, Mister Briggs...”

I couldn’t see John’s face, but I imagined surprise. Then, precisely five seconds after the message ended, a bright flash and a whoosh sound as the tape destructed. This was followed by the highest compliment I’d received from John in all my fifteen years. “That was pretty good, Bumble.” Life was wonderful.

Thanks to my brother’s foresight in naming me, life got even better a few years later when I wanted to buy my first car. I was trying to figure out how to come up with the $800 I needed for a 1964 Ford Galaxie. Pop agree to pay half, but I was still several hundred dollars short. That’s when I learned the financial secret of my name.

It seems that somewhere in my family tree lived a man named Charlie, a great-uncle or something. He was so impressed that Mom and Pop named their secondborn, Philip Charles, after him that he left me some money in his will. For 17 years it had been earning interest in a savings account. Some of it went to buy that Galaxie, and the rest purchased furniture for my first apartment five years later.

Thanks, big brother, for choosing my name. That was pretty good, Lurch.

In an era where “tall, dark, and handsome” dominated the TV and movie screens, I was short, pale, and…well, life wasn’t easy. We’ll delve deeper into that next week in Episode Nine of Tales of a Canarsie Boy.
To hear this episode, please click the YouTube link below.
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I'm not an environmentalist, although I recycle what I can and try to leave a small carbon footprint. I become a stronger believer in climate change every time the snow falls. It never quite matches my memories of day-long blizzards and shoulder-high drifts in 1950s and 60s Canarsie. Of course, my shoulders weren’t very high back then; I barely passed the waist of my 6’1” brother’s dungarees.

My brother, John, is ten years older than I, which made us part of two different generations. He brought up the tail end of the Silent Generation, the ones between our parents’ Greatest Generation and my Baby Boomers. I’m a pure Boomer, raised on the Mickey Mouse Club and Lawrence Welk.

Lawrence Welk bubbled his way into my grandparents’ living room every Saturday night during my formative years, right before Perry Mason. Unfortunately, Welk and his crew of singers and dancers created an environment totally unlike the Grandma’s house of my brother’s youth. Back then, everyone sang around Grandma’s upright piano, not along with a television orchestra. TV personalities like Mr. Welk turned our focus away from each other and toward the little round tube in the big square box.
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Grandma had no TV when John was little, just a piano. And John had the 93rd Street Gang.

Due to our age difference, I can’t tell you the names of all the 93rd Street Gang members of John’s era. Some things never change, however, so certain surnames kept repeating. Judy’s brother, Rob, was part of the gang as were Kurt’s brothers, Max and Karl, whom I idolized.

Max and Karl Kriegel built Canarsie’s most spectacular luge run, and they recreated it multiple years. Of course, all this occurred in those ancient times when New York City received two dozen feet of snow every winter, schools never closed, and we all trudged a mile uphill (both ways) to get to class.
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Max and Karl constructed their first luge run—okay, it was a sledding hill but created by the Kriegel Brothers—when I was maybe seven years old. After a big snow accumulation, the boys began moving snow from all over their minuscule backyard, and a few adjacent yards, to a pile that abutted their garage. They built that pile up so it reached the roof at the back end of the garage, made a sweeping 90-degree right turn around the front corner, and then a sharp banked left into the Kriegels’ driveway. Packed tightly, a thin layer of ice on top made it the fastest sled track south of Lake Placid. With a little luck, a sledder could make it all the way down the driveway and into East 93rd Street. With a little more luck, no cars would be coming. With a little less luck, a sledder would fail to negotiate a curve and end up crashing into the Kriegels’ back wall or go careening over the fence into the yard next door.

Younger kids like me were only allowed onto the track once the reigning gang had gotten tired of it, or if the ice started melting. It was worth the wait to feel the wind in your face and to hear the “shoosh” of your toes brushing the ice as you prayed for the strength to turn your Flexible Flyer into the curves at just the right moment.


Only two other times in my life have I felt the sheer exhilaration and absolute terror of sliding helplessly over a snow-packed hill. One was as a young adult in his first and last attempt at downhill skiing. That winter night, a few members of the church I attended in my early twenties decided to go skiing. They had experience; I had enthusiasm. After mastering the bunny slope in just two attempts, I felt ready for the next level.

On the lower slope I knew slow side-to-side skiing and a deft snowplow move could get me safely down the hill. How much trouble could I get into when descending only slightly farther at a mildly steeper angle? Not much, unless the falling temperature created an icy lane on either side of the hill, which it did.

About halfway down the hill I wanted to slow my descent and widened my path. Turning left I entered the icy patch and began an uncontrolled downhill slide reminiscent of Franz Klammer, when he was maybe three years old. No, the great Klammer probably skied better at three than I did at twenty-three.

Realizing I was going to die, I began jettisoning any and all sharp objects. First I tossed my poles, not wanting to be impaled by them. I forgot they might be helpful in regaining my side-to-side safety route. My gloves came off with them. 

Then I decided my legs stood less chance of breaking were they detached from their long, flat, knifelike extensions. I kicked one off, learning immediately that one does not snow ski on one foot as easily as on water skis. (As I write this, I realize that kicking off a snow ski is next to impossible, so this part of the story may be inaccurate. I do, however, distinctly recall losing one ski somewhere on the way down.) Risking what I thought might be only one, not two, broken legs, I executed a picture perfect hook slide into third base. If baseball was played on one ski on the side of a hill, and I’d been a skilled base runner, it might have looked better than it did. Who am I kidding? I looked like a terrified beginner bailing out halfway down the easy slope.

Sliding to a stop, with one ski and all body parts still attached, I stood up. Thankfully, it was closing time. As the last skiers passed me, I walked up the slope collecting my ski, gloves, poles, everything but my dignity. That still lies somewhere in York County, Pennsylvania.

My other hill of horror was also in Pennsylvania, at a Grace Church youth retreat during winter break my sophomore year of high school. The church camp sat high on a hill near Geigertown. The road to it meandered upward through the woods and, oddly like the Kriegels’ sled run, featured two 90-degree curves. Sledding down it involved first a right and then a left. The right, if missed, would leave you in an open field where you’d eventually come to a stop. The left, farther down the slope, entered a drive bordered by a stone wall and a drop off of unknown depth.

The three days of winter youth retreat came after a significant snowfall in eastern Pennsylvania. Of course the snowplow left a ramp of snow against the stone wall alongside the drive. Of course we sledded at night when the curves were scarier. Of course, the first time down the hill, I and everyone else negotiated the curves to perfection. Of course, I wanted to go again, attempting more speed. Of course, I took the first turn with aplomb and readied myself for the second. Of course, I missed it.

In the dark I failed to turn my Flexible Flyer in time. I hit the snow-ramp leading to the stone wall and launched helplessly into the night. I’d always heard in situations like that, with death a distinct possibility, one’s whole life passes before one’s eyes. I think mine did, and I remember thinking, “what a boring life I’ve lived.” After the autobiography had finished, I was still in the air, and only a second or two had passed. Then I learned the mysterious drop off was only about two feet. I hit hard on my belly and then stopped. It was over. I’d survived. All that was left was picking up the sled, tossing it over the wall, and climbing back. Once I’d revealed the secret of the wall, everybody found a way of missing that curve.

Max and Karl’s 93rd Street sled run was that terrifying to a seven year-old. I tried it once. Want to know a secret? I’m glad the big kids of the 93rd Street Gang wouldn’t let us on their hill. I didn’t really want to do it again.
What’s the worst possible thing a sibling could do to you? Next week, read about what my big brother, John, did to me in Episode Eight of Tales of a Canarsie Boy.
To hear this episode, please click the YouTube link below.
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My elementary school years revolved around the church, my stuffed animals, P.S.114, and a group of kids known collectively as the 93rd Street Gang. The eyes of judgment still followed me, sometimes obviously and sometimes subtly, except in Animaland.

Animaland was the mythical universe inhabited by me, my extensive collection of stuffed animals, other animals I’d never met, and, occasionally, my friend, Kurt. Kurt only had a couple of stuffed animals. Come to think of it, he might have had none. He was two years older than I and had probably outgrown them. Either way, Kurt and I lived in the state of Human People, a mere Rhode Island in comparison to the rest of Animaland.

Kurt was blind, almost from birth. I think it was the result of his premature birth being mishandled by the hospital. That wasn’t uncommon in the early 50s. Kurt also played the piano, had been interviewed by the Daily News, and even got his picture in the paper with Rosemary Clooney or Mary Healy or some such celebrity. 

To me, Kurt’s greatest accomplishment was his daily sprint to my house from his home down the block. It was a marvel to behold, Kurt dashing out his front door, bounding down his steps, negotiating the two 90-degree turns to the sidewalk, and then racing the 75 or so yards to my front gate. He knew just where to stop and turn to enter the Baisley side of the yard at 1304.
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Kurt would come over and we’d enter Animaland—the non-human states, interacting with the populace. Terriers Dot and her older brother, Spot, were my favorite residents. Oddly, their parents were Fido, the loved-to-furless Scottie who had been my brother’s first stuffed animal, and Hunter, a large red retriever.

I think for a while that Catsa was president of Animaland. He might have been a cousin of Dot and Spot. I no longer remember. He seemed very presidential, however, once he changed his name officially from Kitty Cuddles to Catsa.


One of Kurt and my favorite activities in Animaland was to loop a string over a nail in the top molding of the closet-under-the-stairs, run it through holes poked in a Quaker Oats cylinder (my first exposure to Quakerism), and make a pulley elevator to carry the smaller animals to the spectacular view from the top of the closet.

I loved my stuffed animals, keeping many of them long after other kids had tossed theirs in the trash. I still have Dot and Fido, and Dot still has the charm necklace I made for her when she was just a puppy.
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Once I reached the too-old-for-stuffed-animals age, I faced some persecution for keeping them. Things came to a head one day when I was in the fifth grade and the rest of the gang was in seventh. Judy and Kurt, my closest friends, and I were sitting on my back doorstep, planning another summer day, when other kids from the Gang showed up, noticed Dot sitting on the milk box, grabbed her, and tossed her over the back fence into the weed-infested, vermin-packed parking lot of the House of the Rising Sun, our name for the abandoned tavern on the next block.

In its former incarnation, the House of the Rising Son was called the Old Road Inn. It had been named for the original street that ran past Grace Church: the Old Road. It was a classic roadhouse from when Canarsie was a farming community, replete with a bar, some rooms upstairs, and a reputation that grew long after its doors and windows were boarded up.

Over time, the boards rotted or were forcibly removed, allowing access to kids from the neighborhood. I remember the first time I entered the House through a broken basement window. I followed Billy Knudsen, the bravest member of the 93rd Street Gang. Searching the cellar with a flashlight, Billy came upon a mummified corpse, all black and in several arm- and leg- and head-sized pieces. We ran, escaping through the broken window with our lives, if not our honor, intact.

Some weeks later, after a few rounds of dare and double-dare, we went back to drag the mummy’s limbs into daylight. The arms and legs turned out to be old ductwork wrapped in black tape. The head was a cast iron pot. 

That was a few years after the Gang had tossed Dot to her fate, and while the prospect of never finding Dot in that overgrown lot terrified me, I was more startled by the reaction of my best friends. They laughed. That hurt. Later, after the other guys left, Judy jumped the fence and retrieved Dot. It’s hard to be friends with the cool kids and the nerdy runt of the gang at the same time. Judy walked that line with her usual grace and charm, and I’ll always love her for that.

My most memorable time with Judy and Kurt occurred about two years earlier, during Easter Week, and no stuffed animals were involved.

In the 1960s, Spring Break was still called Easter Week in the New York City school system. Jewish kids still got off for part of Passover. Catholic kids got Good Friday off. Protestant kids got squat. Our only holiday was Brooklyn Day, in June, when Protestant churches like Grace held their annual Sunday school picnic. They say the decline in Sunday school attendance started in the 1960s. I know the date, well, not the specific year, but it began when Grace Church rented only two buses rather than three to take everyone to Belmont Lake State Park on the Island for the Sunday school picnic. Sunday school never recovered.

The best week ever, Easter Break 1962, began on a Monday, April 23rd. Easter came late that year, so the weather was true spring, late spring even. And the sun shone every day. 

In those days, one of the New York TV channels showed movies on weekday afternoons, the same movie every day for a week. If you missed part of it on Monday, you could watch it again on Tuesday or Wednesday. That week, the movie was a 1944 Abbott and Costello film called In Society, which also starred Marion Hutton (Betty Hutton’s sister) as Elsie Hammerdingle, a cab driver. She was adorable. As funny as the movie was, I think the best part was that name: Elsie Hammerdingle, a classic comedy moniker.

About the same time, the Grace Church choir sang a John W. Peterson Easter cantata that included a song with an antiphonal section that echoed the words of the crowd demanding Jesus’ death. It went, 
     Crucify him!
         (Crucify him!)
     Crucify him!
         (Crucify him!)
     Crucify him!
         (Crucify him!)
     Kill him!
 
Every Peterson Easter cantata had a song like that. We, the kids who sat in the pews while our parents sang, felt obligated to identify with the mob shouting for Jesus’ execution. We were that bad. Of course, if we hadn’t been bad enough to kill him we couldn’t have been bad enough to be saved. Talk about a vicious cycle.

The chant, “Crucify him!” contains four syllables. The name Hammerdingle also contains four syllables. With schools being closed, kids watching afternoon TV, a week of mild days, and young minds bent on crucifixion, it was inevitable that the two would meet. They did, thanks to an old but sturdy wooden ironing board.

Looking back, I cannot remember where the ironing board came from. Did Judy find it in the vacant lot next door to 1304? Did Kurt’s brothers unearth it in their basement? Did I find it in the woodpile? Or did someone dump it at the House of the Rising Sun? No matter, we combined it with an old round fence post to create the nucleus of the best week ever.

Kurt, Judy, and I hung out every beautiful day that week, usually in my yard but sometimes on Judy’s stoop or on Kurt’s house’s fortress-like entrance. By Tuesday, we were still replaying the cantata in our minds and the ironing board and fence post had connected.

We discovered that if you laid the fence post on the ground, and the ironing board across it at a 90° angle, you ended up with a teeter-totter, one you could stand up on. If both teeter-totterers worked together, with a little creative tottering you could bounce each other in the air, maybe a good six inches. It felt like flying.

Those brief flights (of fancy) needed music to accompany them, and, since we were antiphonally bouncing we needed antiphonal singing. Where had we heard that recently? Oh yeah! Judy would jump and spring Kurt into the air singing “Crucify him!” Kurt would deftly land and reply, “Crucify him!” The antiphony continued until the last tottering “Kill him.” John W. Peterson would have been so proud.

That was fun, but by Wednesday we’d all seen In Society, and my schoolboy crush on Marion Hutton was in full swing. By the time we gathered for our afternoon tottering, I was ready for a new verse. As I launched Judy I sang “Hammerdingle” in my best Grace Church choir alto. Judy responded, “Hammerdingle.” Kurt joined in from alongside right through the final “Hammerding.” Judy and I fell off the ironing board in laughter, and Kurt joined us rolling in the warm grass. It was Canarsie. It was 1962. And it was heaven.

We teeter-tottered into the weekend, and then school began again. The choir sang regular songs. Someone put the fence post and the ironing board in the woodpile. The next year, during Easter week, Kurt, Judy, and I got out our old contraption, anticipating the second coming of the best week ever. We were each a little bigger, a little heavier. On the first bounce the old board cracked. Some things are never meant to be duplicated.

A few years later, another stuffed animal and another gracious human created an event that maybe didn’t change my life but gave me a reference point to which I have returned often in the years since.

That year, on Flag Day, Grace Church’s Christian Service Brigade (a fundamentalist version of the Boy Scouts invented to keep us holier than the Catholics, Jews, and—God help us—Lutherans in the regular Scouts) toured Floyd Bennett Field, a World War II era Naval Air Station that offered tours of the base and its airplanes.

I rode on the field trip with a guy named Babe. His real name was John Calhoun, I think, but everyone called him Babe. I didn’t really know him. He wasn’t a Brigade leader or a Sunday school teacher or anything like that. He just attended church sometimes. My parents knew him.

Babe drove me and a couple of other kids to Floyd Bennett. He chaperoned us on the tour and accompanied us to the post-tour gift shop. The other Brigade kids shopped for model airplanes, toy guns, and other boy stuff. I looked longingly at a little blue stuffed Scottie dog wearing a red plaid tam o’ shanter. Then Babe saw me. I was prepared to be utterly embarrassed when Babe asked, “Is that what you want? ‘Cause if it is I’ll buy it for you.” And he did.

Both the Scottie and Babe are long gone. I’m sure they run into each other often, though, in Animaland. It’s a big place.
People of every age recall a time when a snowstorm, or series of snowstorms, left their neighborhood covered with more snow than ever before. Enjoy some snow stories right here in next week’s episode of Tales of a Canarsie Boy.

To hear this episode, please click the YouTube link below.
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Looking back over the first decade of my life might cause a reader to believe I was of all people most miserable. Was I really that weighed down by judging eyes? Did I constantly feel guilty about something? Well, yes and no. My neighborhood in Canarsie was about 45% Jewish, 45% Catholic (mostly Italian, but also some Irish and Puerto Rican), and the rest Protestant: mainline, fundamentalist, and Pentecostal varieties. That equals a lot of guilt, but I doubt I felt more guilt than my Catholic neighbors.

I know for sure I felt less guilt than Ralphie across the street. He was Italian. One year, probably during Lent, which we fundamentalist Protestants avoided religiously, Ralphie got hold of a couple of two-by-fours and some plywood. Using his dad’s hammer and some nails, he fashioned a cross just about his size. The workmanship was not bad for a kid of eight or nine.

Ralphie took his cross door to door asking those who answered if they would nail him to it. He carried the hammer as well, and even some nails. Ralphie thought of everything. I’m not sure whose mom talked him out of it. It could have been Mrs. Sullivan, whose Catholicism was devout but didn’t extend to severe masochism. It could’ve been mine, who believed Catholics were going to hell anyway. I know neither I nor any other members of the 93rd Street Gang tried to talk him out of it. We just wanted to watch what happened.
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We Protestants weren’t supposed to feel guilty—something about Martin Luther and justification by faith—but we did anyway because we were constantly reminded we were “only sinners saved by grace,” emphasis on the “only.” I never questioned how we could be justified and guilty at the same time. Of course, I never questioned how Clark Kent could be Superman at the same time either. Theology is best left to someone other than preteens.

I never understood why the Jewish kids in the neighborhood felt guilty. Their religion seemed so much more laid back than mine. Good religious Jews went to temple, or they didn’t. Drinking and smoking were personal choices, not evidence of deep personal failure or worse: backsliding. Still, my Jewish friends talked about feeling guilty a lot. Could it have been the level of blame we Christians placed upon them for killing Jesus, as if an oppressed people could have exerted such political pressure on their oppressors? Were they ashamed of having extra holidays or missing out on the joy of ham? I wonder whether some held survivor’s guilt inherited from every grandfather or great-aunt who escaped Eastern Europe in the 1930s and shared basement apartments with memories of those who were left behind. I never asked.

Jewish holidays brought all the kids together in Canarsie’s public schools. Sure we had Christmas off, but that was like winter break. Easter week was like spring break. But Jewish holidays were real holidays. Jewish kids got off school, and, since half the class was out, the rest of us basically got the day off.

And then came Hanukkah. Practicality dictated that New York City Schools couldn’t shut down for a week at Christmas and a week before that for Hanukkah, so everyone went to school and partied.

P.S.114, where I attended first through sixth grade, had the best Hanukkah parties. We ate lots of candy, listened to the Jewish kids talk about getting eight days of presents, and we played with dreidels. Kids in Jewish nursery rhymes claim to make these little square tops out of clay. At P.S.114 they were made of plastic. By means of the Hebrew letters on the four sides, two things occurred: you learned some of the Hebrew alphabet and you could gamble for candy.
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P.S.114 in 2019
The Yiddish word for the candy we gambled for at Hanukkah parties is “gelt.” I think it comes from the gold candy coins given out for the holiday. Gelt brought out the gambler I never knew was in me. Every Hanukkah I’d wait for the dreidels to come out in our classrooms. Spin and take seemed to be my middle name, making my Jewish friends jealous. By the time those eight sacred days (and eight crazy nights) were over, I had a candy stash that would make the annual box of Louis Sherry Christmas Sunday school chocolates from Grace Church seem paltry and sad. I don’t know if I ever earned the title “mensch” from my schoolmates, but I was sure one lucky goy.

Years later, I parlayed my dreidel experience into Saturday night poker games at Jonathan’s house. I don’t remember who played there regularly, I only know I was the sole Gentile and that none of us ever had a date on Saturday nights, or Fridays either. Poker was our social contract.

I was generally as lucky at poker as I’d been at dreidel. Most times I’d walk home from Canarsie’s west-of-Remsen side in the wee hours of Sunday morning, my pockets bulging with pennies, nickels, and a dime or two. Along the way I’d stop at a stranger’s doorstep and tuck my winnings under the mat. I couldn’t keep it. I’d feel guilty.

Next episode: take a trip with me to the wonderful place known as "Animaland."

To hear this episode, please click the YouTube link below.